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Recent radical changes in timecode technology, location shooting and post-production working practices have been brought about by the fragmentation of the television programme making industry and by a dramatic increase in affordable digital transmission and editing equipment and systems.
With the expansion of non-traditional television service producers (cable, satellite and video-on-demand) almost anything hoes as far as shooting and editing formats are concerned.
Timecode: A User's Guide is an indispensable reference for anyone needing to get to grips with the many aspects of timecode, whether in-house or on location.
Taking into account these changes this book has now been brought completely up to date to include:
* timecode and DVD, LTC & VITC in HANC packets in the serial digital TV interfaces
* timecode in IEEE1395 (Firewire)
* timecode and digital video cassettes
* new recording formats of DVD, DV mini cassettes and D6 are included
* 4:3 scanning for wide-screen films - standards updated
* new material to cover new working practices
* new appendices to cover the global LF time data transmissions and time data embedded in BBC transmissions
Advice is also given on avoiding and remedying faults and errors.
- Sales Rank: #2587474 in eBooks
- Published on: 1999-04-23
- Released on: 1999-04-23
- Format: Kindle eBook
About the Author
Ratcliff is Head of Production at Ravensbourne College of Design and Communication and is a freelance trainer, producer, and technical writer.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Not much written about timecode
By Ken Greenebaum
I professionally work in the field of computer based digital video and know that there simply isn't much written about timecode. This book is a great reference, I have used it to successfully implement VITC and LTC encoders/decoders in software, timecode math libraries and the like. This is the book I refer to and recommend when these often confusing topics arise. I have used the first two editions but have not seen the third. I hope it adds more information about digital production.
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